others could not perceive?
In the starry sky or acid greens
on olive branches or iris grounds,
did he see clearly the unseen?
What refuge did he find in
Asylum
While he painted
While he painted
While he painted?
Cloistered from the "sane,"
Protected from their banal
normal-ness – is that what
propelled his sublime visions?
Fumbling in the illusion of "reality,"
did he retreat to more sure ground –
to the steadiness of inner –
but found it too incompatible to span?
Then Retreat.
How?
6.16.2010 MAV
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